Comicbook Corner 3: Chew by John Layman and Rob Guillory

Well hellllllllllllloooooo there. How’s November been treating you so far? Getting all those good fall reads in?

Today’s Comicbook Corner is centered around the wild, weird, and completely disgusting, Chew by John Layman and Rob Guillory. By now you should know that I have a huge soft spot in my nerdy little heart for comics and novels that realize their mediums are limitless and just run with it. This is that and then some.

It mostly focuses on an FDA agent with the power to get psychic impressions from eating things, and his superiors discovering that he can use that power to solve crimes. At first it seems pretty straight forward, if not super, duper gross (he’s constantly forced to eat the physical remains left at crime scenes, be it spilled blood or a toe or whatever). He eats a gross thing, gets an impression, and tracks down the criminals involved. At first I thought it was going to end up just being a police procedural with this one wacky hook, but it doesn’t take long for the comic to take a sharp left turn from the expected. There’s all sorts of weird food powers and other bananas shit going on, including a lady that can make you taste the food she reviews, a man who can carve anything, ANYTHING, from chocolate, a weird immortal vampire who can absorb other people’s food powers by eating them, a former cock fighting champion chicken that’s turned into a government owned cyborg killing machine, and a weird, maybe alien or intradimensional plant thing that people use as a chicken substitute. It’s so fucked up you gals.

But! Luckily for us, it’s just as fun and entertaining as it is weird and gross. The writer and artist really seem like they’re having a blast making this one, continually outdoing themselves with the wild and zany shit that they come up with, while still making sure that there’s a story at the center of it. In between the eating of dead body parts and robot chicken killing sprees, there’s moments of real emotion and character development.

Recommended for anybody with a strong stomach, a high threshold for suspension of disbelief, and a propensity for fiction in which, almost always, you have absolutely no fucking idea what’s going on, but you’re having fun anyways.

VBR

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Comicbook Corner 2: Rat Queens by Kurtis J. Wiebe

I once had this comic described to me as “the d&d game you and your friends wish you were playing” and while I wouldn’t go that far (my d&d crew is both great and good), I will say it’s the d&d story I wish I was writing. It’s bawdy, it’s fun, it’s fast-paced. The art is gorgeous and imaginative. The stories are clever subversions of regular fantasy tropes, self-aware tales told by a guy who obviously loves the genre just as much as you do (maybe more), but isn’t blind to its quirks and flaws.

The thing that really puts this comic up there with the greats for me though, is the characters. At first they seem fairly simple, ladies built by layering a modern archetype over a traditional fantasy one: the sensible friend/good cleric, the stoner/goofy rogue, the dependable friend/stalwart fighter, and the bad one/reckless wizard. But as the stories progress and they move through their (increasingly banana-pants) world, these characters open up and expand in really interesting, thoughtful ways. On the surface they may be all brash and ballsy and easy to read, ladies looking for the next drink/fight/fuck, but beneath they’ve got rich interior lives and complicated motivations for their actions. None of them are exactly who you think they are.

If you’re squeamish when it comes to violence and sex and cursing, or you’re in the mood for something dark and serious, this probably isn’t the comic for you. If, on the other hand, you’re down for a fast-paced, filthy, funny, balls-to-the wall comic, with some surprisingly keen insights on human nature and relationships, I think this might just be the one for you.

Enjoy  ❤

VBR

Comicbook Corner 1: Monstress by Marjorie Liu and Sana Takeda

Heya!

So I’m going to give something new a try. I loooove comic books, always have, but for some reason I’ve never really talked about them on here. They take up a pretty sizeable chunk of my reading time, they’re just as interesting to talk about, aaaand…I just don’t, for some reason. So let’s remedy that! Every now and then I’m going to do a Comicbook Corner and give you the run down of one that I’m currently reading or just finished reading or one from the back catalogue that had a big impact on me. They’ll be a little shorter than the usual post. If comics aren’t your thing you can just skip these posts (though I’d encourage you to give them a shot. It’s just reading accompanied by incredible art).

Okay, let’s get to it.

Monstress, Written by Marjorie M. Liu and Art by Sana Takeda

Consistently well-written. Weird, complicated, interesting, and always so, so beautiful to look at. Easily one of my favourite comics coming out right now, and the only one that I collect issue to issue. At first the world was so rich, so dense with history and information and intricate, interconnected relationships that I almost felt like I couldn’t get into it, like I was starting a story partway through. But the visuals were incredible and the writing hooked me in, kept me going, and I’m suuuuper happy I stuck it out. This world has such a complicated and complex history and Liu doesn’t feel obliged to spoon feed any of it to you (other than those fun little tidbits you get at the end of each issue). While at first I felt a little frustrated by it, over time, as I’ve began to understand the world a little better, its become one of the most satisfying reading experiences I’ve had this year. Besides, even though I may not always know what’s going on, I have always one hundred percent believed that these two do, and that they’ll get me there eventually. It’s really, really good.

VBR

 

Ps. I hate to hit the representation drum all the time (I actually don’t), but if that’s something that’s important to you in your art, this book has it in spades. Most of the characters (that aren’t animal people) are POCs and women, and the main character is a POC, a woman, and an amputee (as well as a fucking badass).

 

Wonder Woman

Okay, so since I’ve been back I’ve been trying to chew my way through all the pop culture that I missed, and this seems to be a big one. It came out the day before I left (which didn’t quite give me enough time to squeeze it in) and already people had been singing its praises. Critics liked it, fans liked it, it was slotted to make tons of the monies, everything was great. Now it’s three weeks later and it’s still doing great, both critically and commercially, better than anybody could’ve hoped for. I mean, I saw it on a Wednesday night at the quietest theatre I know, and it was still packed. That’s gotta say something.

It’s also become something of a cultural talking point. Errrrrybody and their mom has something to say about it. Mostly, if they’re idiots, it’s about how surprising it is that the movie is doing well. “You mean a good director can make a good movie, even if she’s a lady?! Poppycock!” And if they’re not it’s about how great it is to finally get a good, female led super hero movie or that it’s nice that the curse of the DCEU is finally over. And I agree with both those things! Diversity of representation in films is important (and I am not implying, in any way, that the problem is solved. Only that this is a positive and necessary step in the right direction) and having a superhero that the other fifty plus percent of the planet can use as wish fulfillment is a good and positive thing. Plus, even though I’m an unashamed Marvel fanboy (Peter Parker was solely responsible for my sexual awakening. When I was a kid I used to watch the 90s cartoon and just want, so hard, to be 1/2 of a Mr. and Mr. Spiderman marriage. Ever since then, if you’re not a handsome secret genius that wears skin tight suits and cracks wise while beating up street thugs, it’s probably not going to work. If you are though, get at me, I’ve found dating really difficult for some reason) it’d be nice to get good movies from both of the big houses.

So basically I went into this movie hella ready to heap my love on it. My heart was full, my tear ducts were open, and my fingers were poised to tippity tap out their sweet, juicy approval all over the internet. And…

It was pretty good!

I mean, I liked it. Well, not all of it. But most of it! Sort of most of it. Some of it…

Part of the heartbreaking amount of meh I feel towards this movie may have to do with my superhero fatigue, which the child/teenage version of me would punch me right in the mouth for saying. “You had to watch Mutant X for years just to get your fix, and now you have too much?! We watched all of Smallville you sonofabitch! And I get his anger, I do! It’s like a rich person complaining about how having too much money is a burden. I’ve just…I’ve seen so many, and almost all of them are the same. They’re different too, different characters, costumes, powers, villains, whatever, but in most of the ways that matter they’re identical. Person discovers they’re extraordinary, discovers a bad guy that needs to be stopped, suffers tragedy and hardship, grows in some way, defeats said bad guy. The End. And that’s not a terrible thing, in and of itself. I’ve spent years of my life loving it. Not only that, but I generally tend to love genres that use repetitive narrative structures, mysteries being another good example. I find the predictable nature of them delightful and comforting. But that type of mystery, where I kind of know the end, and the good guys are good, and the bad guys are bad, are not the only books I want to read. And neither is this type of superhero movie. I like it when people surprise me sometimes, when they take that expected narrative device and do something interesting and different with it.

I think another big part of my problem with this movie was the beginning and the end. The middle chunk of this movie is incredible, almost perfect. But the setup is a little rushed (which might just be me. I like a nice, slow burn, and tend to find shoe-horned in exposition really jarring. Most of it was pretty good, but every now and again it seemed like they were just whipping through stuff as fast as they could), which wasn’t a huge deal. I get it. It’s a big movie, you’ve got a lot of stuff to fit in there, and it’s already pretty long. But it’s not like there isn’t stuff you could cut out to make the film fit better (*ahem* boss fight *ahem*).

Which brings me to the only thing that I really, really didn’t like about this movie: the third act. God am I ever tired of these. I can’t be the only one, right? Big, firey, CGI smash em ups just aren’t that fun or interesting to watch. And the middle part of this movie is sooooo gooooood! She starts on one end of the spectrum (people are good and if they’re hurt you should help them) and Steve starts at the other (things aren’t that simple, and if you want to do good you have to compromise) and throughout the course of the film they learn from each other and move towards the middle (him more so than her). I just thought it was building to a more complicated, nuanced finish, and when it didn’t I was really let down. Also, the execution of it was a little on the cartoonish and silly side, and didn’t fit the World War 1 setting and tone.

Listen, none of this is the filmmaker’s fault. Patty Jenkins has nothing to do with any of the previous superhero movies and she shouldn’t have to shoulder all the baggage and expectations I came into this with. This was a good movie, with a great cast and a solid story. She did enough. But I can’t help the way that I felt when I left the theatre: fed, I got exactly the meal I paid for, but not quite full. Wanting more.

VBR

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